NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

BCUC, Barnaba and Maua Sama to showcase at ACCES 2022

24 Nov 2022 - 11:29

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The Music In Africa Conference or Collaborations, Exchange and Showcases is pleased to confirm the addition of three new musical acts that will perform at the fifth edition of the pan-African music conference in Dar es Salaam, Tanzania, on 24, 25 and 26 November 2022. 

BCUC.

The three acts are South African band Bantu Continua Uhuru Consciousness (BCUC) as well as Tanzanian musicians Barnaba and Maua Sama, who join nine previously announced acts representing different musical styles and cultures from across the African continent.

Barnaba and Maua Sama will showcase at ACCES through a partnership between Ziiki Media and ACCES organiser the Music In Africa Foundation.

The three will showcase at Brake Point Makumbusho (Village Museum) alongside Sholo Mwamba (Tanzania), SinaUbi Zawose (Tanzania), Oumar Konaté (Mali), Flying Bantu (Zimbabwe), Joyce Babatunde (Cameroon), Vitali Maembe & Watupa Mawe (Tanzania), TaraJazz Zanzibar (Tanzania), Tofa Jaxx (Tanzania) and Kalam (Burkina Faso).

Coming from Soweto, BCUC is known for moving audiences – both physically and emotionally. The six-piece ensemble, whose sound is rooted in southern African percussion and is described as ‘indigenous funky soul’, is on a mission to question the common worldview of Africa. BCUC takes the audience on an intriguing journey to the secret world of modern Africa; it wants to rectify western assumptions and show the post-apartheid South Africa from a young, contemporary perspective.

Maua Sama will be at ACCES both as a performer and keynote speaker, with her conference session slated for 25 November at the Julius Nyerere International Convention Centre. Her singing career started when she was a young girl. In 2013, she was discovered by Mwana FA, who was struck by her vocal ability. Later that year, the two artists collaborated on a track called ‘So Crazy’, and in 2015 she released her first single ‘Let Me Know’, which introduced her to the industry. It was in 2018 that her song ‘Iokote’ featuring Hanstone propelled her music career in Tanzania and beyond. That same year, she was nominated for the Best Female Award at the Soundcity MVP Awards. Her latest project is the seven-track Cinema EP, which features guest artists such as Ali Kiba and Jux.

Barnaba, meanwhile, is a revered Tanzanian singer, instrumentalist, songwriter and record producer. He was born and raised in Dar es Salaam and began his musical career after honing his skills at the Tanzania House of Talents (THT) hub. He joined THT in 2005 and a year later released his debut track. The award-winning musician is one of East Africa’s best-selling artists and has released four albums and more than 100 singles to date.

The three-day ACCES conference will feature a dynamic pool of more than 60 local and international speakers, businesses and showcasing artists from over 50 countries. The music trade show offers a strong programme that includes industry talks, networking sessions, workshops, exhibitions, awards and music performances.

View the full ACCES programme here.

Register for the event here. African delegates register for free.

About ACCES

ACCES is a pan-African trade show for music industry players to exchange ideas, discover new talent and create business linkages. ACCES is held in a different African city every year, attracting active music industry players from across the globe. ACCES 2022 is organised by the Music In Africa Foundation, a non-profit pan-African organisation, in partnership with Siemens Stiftung, Goethe-Institut, Alliance Française, Ziiki Media, Wasafi Media, the Ministry of Culture, Arts and Sports of Tanzania, the National Arts Council of Tanzania (BASATA), SACEM, and Salon des Industries Musicales d’Afrique Francophone (SIMA). See all our wonderful ACCES 2022 sponsors and partners here.

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About Ziiki Media

Ziiki Media is a leading entertainment provider in sub-Saharan Africa and India. It is a joint venture with leading global music company Warner Music Group. The company offers services such as music distribution, aggregation, content production and music marketing, among others. Ziiki Media joins ACCES 2022 as an official programme partner and key exhibitor.

Connect with Ziiki Media on Twitter, Facebook, Instagram and YouTube.

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