NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Emerging Naija: Vibing with Radar X

19 Apr 2024 - 10:45

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Following the recent release of his Afrobeats crossover ‘Pretty Babes’ on Futura Recordings/Go Far Records, Nigerian newcomer Radar X spoke to Music In Africa as part of our Emerging series, highlighting burgeoning talent from the continent, about his unique style and vision to be a cultural force.

Radar X.

The musician, born Oyemike Achi, aims to transcend traditional boundaries, to challenge established norms and prioritise holistic artistic experiences by drawing inspiration from frequencies and human connection.

Radar X, who describes his craft as versatile and embodying an ‘X factor’, cites Fela Kuti, Lauryn Hill, Bob Marley, Burna Boy and Michael Jackson among his biggest influences. ‘Pretty Babes’, dedicated to exalting and honouring women of diverse backgrounds, serves as a precursor to his debut EP The Vybe Magixian.

MUSIC IN AFRICA: Kudos on the recent release of your song ‘Pretty Babes’. What emotions are running through you now that it’s officially out?

RADAR X: Blessings and positive energy. Hopefully, every girl out there will be on this energy too.

Reflecting on your musical journey, how do you perceive the evolution of your sound from when you first began?

I’d say it’s been a journey. I’ve always been versatile and unpredictable with my sound. But I can tell it’s more defined now. I’m in my X factor!

In comparing ‘Pretty Babes’ to your previous work, what distinctive elements or progressions can listeners expect to hear?

‘Pretty Babes’ allowed me to express my creativity in different forms: the flow from the beat to my delivery, the campaign message, the community-based narrative, and how it translates to me as a character.

Where do you see your music carving its niche or making a unique contribution in today’s pop circles?

I’m all about innovation. I was born to create a universe where music is more immersive and can reflect every other form of art and even people’s daily lives. So I see my music creating a niche that transcends beyond just the sound.

Artistic inspiration plays a crucial role in shaping one’s craft. Who would you say are the most significant influences on your creative expression?

Frequencies. I listen to frequencies to keep my mind creative. And I connect with random people and try to feel what they feel. It allows me to escape through different realities, and that way, I can tap into different aspects of my creative vibe.

Everyone has a preferred creative zone. What time of the day do you find is the most conducive for your songwriting and musical exploration?

The truth is, it’s not a time factor, it’s a vibe factor. When I’m in the vibe, it doesn’t matter what time it is, just what vibe I’m in.

If you could collaborate with any Nigerian artist, who would it be?

Easy one. Burna Boy, and that’s because the music would be very experimental and new. He’s also a fusion artist and loves to experiment. That’s one thing I find in common with him.

What do you hope listeners will take away from ‘Pretty Babes’ in terms of its message or the emotions it conveys?

Being pretty is not just about the physical or social steez, it’s more about your aura, self-acceptance and your energy. ‘Pretty Babes’ is a campaign to empower women and make them appreciate themselves more, because they’re queens.

What new directions or genres are you eager to explore in your future projects?

I’m multilayered when it comes to genre. I’d always create a new vibe, so it might not be from a popular genre, it would just be a new vibe, thus I don’t use the word genre. You can say vibe.

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