Kaba review: Camidoh’s vain take on the question of love
By Gabriel Myers Hansen
29 Jul 2022 - 13:26
In the years preceding his TikTok hit ‘Sugarcane’, Camidoh’s ingenuity seemed obscure to audiences beyond his native Ghana, even if his wide-ranging flair has never been in doubt. The song, whose remix guests King Promise, Mayorkun and Darkoo, ushered in a watershed moment for Camidoh, who is blooming as an upcoming paragon of Afropop delight.
Camidoh continues to render an impressive account of his musicianship with the track’s successor ‘Kaba’.
Released today and produced by UglyxTough, ‘Kaba’ arrives on a giddier bpm, but retains the same functional composition and delightful bounce that, in some manner, finds its author modernising highlife. It is the sentiment of local industry watchers, that all new music from these parts must have highlife as a fulcrum, for it to be led forward. And so, ‘Kaba’ boasts syncopated drums, stem-winding percussion work and lush guitar licks that characterise highlife, but also feels trendy in its finish.
‘Kaba’ translates from Ewe as ‘expeditiously’. It finds Camidoh chewing on the place of money in romantic affairs. Every few months, this subject raises its head within pop circles here, and while it fuels spirited arguments, the conclusion is often that the two go hand in hand. Camidoh concedes this to a love interest off the bat: “I no fit to give you just love”, he sings, before plunging fully into the meaningless love promises that have perpetually coloured pop.
But the cleverness of ‘Kaba’ is especially apparent in the record’s vocal form than in its lyrics. Its festive spirit and charismatic chanting suggest that it aims for the dancefloor first, before heading anywhere else. Camidoh’s voice is delicately rich (or richly delicate) in a very R&B way, thus disarming and gratifying. Again, though it has been his template since Contingency Plan, his 2020 debut EP, the artist’s unique tapestry of local dialects and lingua franca constitutes some of the strongest arguments about language as secondary to a song’s international appeal.
At points in his verses and in the song’s pre-hook, Camidoh employs a staccato-style articulation that exposes his subtle rap inspirations. It invokes curiosity at the very least and lingering excitement once properly registered in its listener’s mind.
Add this to adornments like cheery harmonisation and zesty ad-libbing, and the result is a boundless aural delight that habitually sets him up for viral success.
If there’s any additional observation about the Camidoh style, it is the fact that ‘Kaba’ illustrates further that its author, who is unlimited in his pop experimentations, has hardly reached the end of his sonic adventures.
Stream ‘Kaba’ here.
[video:https://www.youtube.com/watch?v=8WFdBt-earo autoplay:0]
Artist: Camidoh
Song: Kaba
Label: Grind Don’t Stop/ GB Recz
Year: 2022
Most popular
Open call: AIR Festival 2026 seeks local talent in Knysna
04 Feb 2026
AI music firms, major labels clash over ‘Walled Garden’ model
04 Feb 2026
YouTube restricts background play to Premium users across all browsers
04 Feb 2026
Bruce Resnikoff appointed UMe chairman, Jamie Krents named CEO
04 Feb 2026
Interview: South African artist Nomisupasta
03 Feb 2026
Apple Music flags 2 billion fraudulent streams amid AI audio surge
03 Feb 2026
Sponsored
Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.
Please log in to post a comment.