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Maroc–Union européenne : trois nouveaux programmes pour renforcer les industries culturelles et créatives

Maroc–Union européenne : trois nouveaux programmes pour renforcer les industries culturelles et créatives

L’IOMMa 2026 revient à La Réunion et renforce ses connexions avec les scènes musicales africaines

L’IOMMa 2026 revient à La Réunion et renforce ses connexions avec les scènes musicales africaines

Fally Ipupa, Magic System, Awilo Longomba, Himra… les certifications AMC 2026 dévoilées

Fally Ipupa, Magic System, Awilo Longomba, Himra… les certifications AMC 2026 dévoilées

JB Mpiana prépare son retour sur les scènes européennes et américaines

JB Mpiana prépare son retour sur les scènes européennes et américaines

RD Congo : un recensement national des artistes pour structurer le secteur culturel

RD Congo : un recensement national des artistes pour structurer le secteur culturel

Esinam et Sibusile Xaba poursuivent leur odyssée musicale africaine avec une tournée en Afrique australe

Esinam et Sibusile Xaba poursuivent leur odyssée musicale africaine avec une tournée en Afrique australe

Burkina Faso : Smarty annonce son retour avec ÉLÉVATION

Burkina Faso : Smarty annonce son retour avec ÉLÉVATION

Appel ouvert : Fête de la Musique 2026 à Brazzaville

Appel ouvert : Fête de la Musique 2026 à Brazzaville

Sénégal : Le Festival international de jazz de Saint-Louis lance aujourd’hui sa 34e édition

Sénégal : Le Festival international de jazz de Saint-Louis lance aujourd’hui sa 34e édition

Afrique du Sud : le concert de Ferré Gola à Johannesburg annulé sur fond de tensions xénophobes

Afrique du Sud : le concert de Ferré Gola à Johannesburg annulé sur fond de tensions xénophobes

Kenya: Le Africa Forward Summit se clôturera par un concert d’envergure à Nairobi

Kenya: Le Africa Forward Summit se clôturera par un concert d’envergure à Nairobi

Apple Music met en lumière Abidjan, Kinshasa et Dakar dans le cadre de sa campagne Africa Month

Apple Music met en lumière Abidjan, Kinshasa et Dakar dans le cadre de sa campagne Africa Month

NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter claire@musicinafrica.net Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

Music In Africa
Home / Jean de Dieu BOUKANGA
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Jean de Dieu BOUKANGA

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Dakar, Senegal

En service depuis :

2017

Personne de contact:

Jean de Dieu BOUKANGA

BIO

Jean de Dieu BOUKANGA est un artiste et acteur culturel centrafricain, qui réside à la Dakar, la capitale sénégalaise.

Sa musique fusionne les influences traditionnelles africaines aux vibes du jazz et de la soul.

Jean de Dieu qui a pris part en 2016 à l'atelier de la Fondation Music in Africa sur la fabrication et la réparation des instruments de musique, exerce depuis 2017, en tant que rédacteur pour cette structure panafricaine.

Ses principales tâches : écrire des articles d'actualité, partager des opportunités, réaliser des focus et des chroniques d'oeuvres musicales, pour le site www.musicinafrica.net.

En 2018, Jean de Dieu est invité à la 24e édition de la World Music Expo (WOMEX) à Las Palmas (Espagne), dans le cadre du projet WOMEX Academy, porté par le Goethe-Institut du Sénégal et l'Agence Allemande pour la Coopération Internationale (GIZ).

Celui que l'on appelle Johnny Nino, est aussi le directeur de l'association Amoul Niak, née pour promouvoir un spectacle éponyme à Dakar.

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06. WARI (argent/money)

412 Mali
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06. WARI (argent/money)

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412 Mali
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